BL644_ARROZ_CON_LECHE - Bailey
This is a fun selection based on two popular Latin American folk songs. The familiar setting of "Rice Pudding" is interrupted with a brief rendition of "La Raspa," a Mexican dance from Vera Cruz that is recognizable everywhere. This may be performed in the unison setting, or with the optional second part.
BL645_NEVER_FAR_FROM_HOME - Patterson
Text that reminds the listener that the comfort of home is never far away from the journeys in life combines with an expressive melodic line in this setting by Mark Patterson. This may be presented in a unison voicing or expanded with the optional second part. Very suitable for the concert stage by any age group.
BL646_IF_I_HAD_THREE_WISHES - Sugar
With inspiration from the Jon J. Muth book "The Three Questions," Tom Sugar has provided a handsome, yet simple, background to question what is truly important in life. Whether performed as a unison work or with the optional second part, this is a selection that will touch the hearts of both the performer and listener.
BL647_MARCHIN_WITH_THE_SAINTS - Gilpin
Greg Gilpin has done it again with this rambunctious partner song incorporating "When the Saints Go Marchin' In"! A lot of fun for everyone!
BL648_THE_HANUKKAH_JEWEL - Eddleman
While being completely original in music and text, this "jewel" from David Eddleman presents all of the style associated with Hebrew folk song. The Hanukkah story is told with the dance-like qualities of the hora. The piano provides a rhythmic accompaniment to the voices as they move between long lines and syncopated melodies.
BL649_SEASON_OF_WONDER - Neches
This song explores themes of renewal and longing in deep winter through the metaphor of light. A pretty melody in 3/4 time is augmented with an optional second part that provides harmonies at key points. While the text is very appropriate for winter/holiday concerts, Neches has provided alternate text that would make it very suitable for a more sacred setting.
BL650_HOW_CAN_I_KEEP_FROM_SINGING - Farnell
Laura Farnell has provided a fresh, new melody as well as a new interpretation of this classic hymn text that was originally published in 1869. The message of optimism in the midst of despair is timeless. There is hope in love and comfort in singing, requiring the song to go on and the question to be asked, "How Can I Keep From Singing?" An absolutely gorgeous setting appropriate for unison or two-part chorus of any age.
BL651_SWALLOWS_TRAVEL_TO_AND_FRO - Gardner
From the most famous Scottish novelist, poet and travel writer, Robert Louis Stevenson, Janet Gardner sets the text of "Swallows Travel To & Fro". Rich tone and attention to phrasing will make the word painting come alive. Suitable for all ages.
BL652_BELLA_MUSICA - Link
The crisp rhythms and flowing verses combine to create gorgeous music in any language. Sunny Link has created a gem that you will find your students singing on the way out of rehearsal. The infectious chorus is accessible enough for audience participation!
BL653_WHEN_THE_CHARIOT_TAKES_ME_HOME - Franklin
Glenda Franklin has combined "Swing Low, Sweet Chariot," "When the Saints Go Marching In," and original music and text into a great partner song featuring two of the best known spirituals.
BL654_ANTIPHONAL_KYRIE - Thrift
The traditional ABA form of the "Kyrie" is supported by a change from the 'antiphonal' section of the "Kyrie" with the more homophonic treatment of the "Christe" in this setting. Susan Thrift also uses meter to reinforce form as she moves from the common time of the "Kyrie" to the 3/4 signature in the B section. This is a very sensitive setting of the familiar prayer and is suitable for both concert and festival use. The a cappella setting adds to the warm and unemcumbered delivery of the text.
BL655_SONG_OF_THE_SPARROW - Courtney
Vicki Tucker Courtney has delightfully set this text from John and Jillian Parker in a flowing 6/8 meter. You can truly hear and appreciate the "Song of the Sparrow," even to the "la, fa, la" signature of the sparrow's song.
BL656_KYRIE_ELEISON - Link
Long lines and elongated vowels distinguish this setting of the "Kyrie Eleison." The use of quartal and quintal harmonies give this work an open and evocative feel. An ideal setting for treble groups of any age and suitable for concert and festival use.
BL657_JUBILATE_DEO - Smith
The juxtaposition of long vocal lines over the rhythmic ostinato of the piano produce a very moving setting of this Latin text. Full of contrast, both rhythmically and dynamically, this will be a favorite of chorus and audience alike.
BL658_NIGHT_WINDS - Farnell
Laura Farnell has done a masterful job setting this text by the acclaimed African-American poet, Joseph Cotter. While the night wind is often characterized as having a sad or melancholy quality, Farnell has ably captured Cotter's perspective that the wind could never be sad with the shining stars and moon for companionship. A singing melody and moving harmony lines create an elegant composition.
BL659_CAROL_OF_THE_RUSSIAN_CHILDREN - Moore
Donald Moore gives us this brief, but charming arrangment of a well known Russian folk song. The usually dark and somber context of this carol is contrasted with a lighter arrangement and brighter tempo. Very suitable for young or developing treble chorus at holiday time.
BL660_COLORS_OF_CHRISTMAS_ - Rentz
Earlene Rentz has energetically set this text by Pamela Martin in a style that absolutely captures the excitement of the season and describes the "Colors of Christmas."
BL661_THE_HOLLY_AND_THE_IVY - Schram
Combined with an additional original melody, Ruth Schram offers this simply joyful part-song setting of the familiar carol for treble voices with flute.
BL662_WIND_THROUGH_THE_OLIVE_TREES - Mayo
Becki Mayo has combined the 16th century carol "The First Noel" with the classic "Wind Through the Olive Trees" for a partner-song that relies on tradition. The opening carol with its minor key portraying the mystery and wonder of the season contrasts nicely with the quiet, almost meditative setting of "The First Noel."